Some of the methods currently being employed have been used by decades of conservators at Pompeii. Individual tesserae have been replaced, one by one, in each mosaic, using ancient tiles whenever possible. Frescoes have been cleaned by hand using a scalpel or a chemical solution. Painted surfaces have been consolidated with an acrylic resin diluted with deionized water and then injected into cracks.
However, the teams today also have more high-tech tools at their disposal, including lasers to clean the frescoes, and ultrasound, thermal imaging, and radar to evaluate the level of decay of the walls and paintings.
I know that the work will forever be judged by the results, by people, and by time. Although frescoes appear to exist as a single layer on a wall, they are actually created in multiple layers in a way that makes the artwork part of the wall itself. True fresco is made by beginning with several coats of plaster—usually two rough coats that are allowed to dry and harden, and a third, smooth one.
Dry pigments mixed with water are painted on while the third coat is still wet. As this uppermost layer dries, the painting becomes part of the wall, creating a durable surface that can last for hundreds, indeed thousands, of years, unlike an oil painting on canvas, for example, which can easily peel or chip.
The Villa of the Mysteries has dozens of frescoed walls, almost all of which need attention, according to Vanacore. Though these walls are durable, they still must be handled carefully. Although lasers are generally used for cleaning stone, they have been tested on metals and pottery as well to great success.
The process by which the lasers clean the frescoes—a few microns at a time—is called photoablation, a sort of vaporization of what can appear as a layer of black crust. Even where the surface is very degraded, lasers can remove minuscule amounts of dirt without affecting the layer underneath, revealing as much of the ancient painting as possible without putting it at risk.
Using a combination of these sophisticated methods, the Kiel team has been able to create precise maps that can be used to better direct the restoration of the villa. Passive thermography takes temperature measurements without altering the surface in any way, while active thermography heats the wall very slightly—just two degrees—in order to investigate the response of the walls to heating. Water intrusions usually behave in exactly the opposite way.
Other methods can go even deeper below the surface. By clicking 'Accept All', you consent to the use of cookies to enhance your user experience, security, analytics and customization. For more information and to understand how we use your data for required purposes, and how to change your consent, please visit our Privacy Policy.
Posted in: Click here to learn more about blog Blog Tags: Click here to learn more about ancient rome ancient rome Click here to learn more about neaples neaples Click here to learn more about pompeii pompeii Click here to learn more about rome rome Click here to learn more about turism turism Click here to learn more about villa dei misteri villa dei misteri Click here to learn more about villa of the mysteries Villa of the Mysteries.
Email this page to a friend. Monolingual small groups min 2 max 7 people Hotel pick-up included. Click here to Book Now Book Now. Mystery religions never revealed the details of their initiations or practices, so most of the information about them is taken from images and descriptions. The Villa of the Mysteries had rooms for dining and entertaining. There were also areas for pressing grapes into wine, several large kitchens, baths, shrines, and marble statues.
When the Villa was excavated in , a wine-press was found and restored. Other artifacts seem to suggest the possible owner of the Villa. Scholars have proposed that L. Istacidius Zosimus, a member of the powerful Istacidii family , was the owner, because a bronze seal was found in the Villa with his name on it.
However, a statue of Livia , wife of Augustus , was also found there, and some historians claim her to be the owner. By 79 AD, however, the house was already years old and probably had several different owners. The Villa of the Mysteries had already been heavily restored after a large earthquake hit Pompeii in 62 AD, damaging many buildings.
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